The second batch of exhibits of "The Pride of China: Masterpieces of Chinese Painting and Calligraphy of the Jin, Tang, Song and Yuan Dynasties from the Palace Museum" will be put on display at the Hong Kong Museum of Art from next Monday (July 23) to August 11. Sixteen exhibits on display include Qiu Ying's "Copy after Along the River During the Qingming Festival" of the Ming dynasty, Wang Xun's "Letter to Boyuan" of the Jin dynasty, Yan Liben's "Emperor Taizong Receiving the Tibetan Envoy" of the Tang dynasty, Su Shi's "Letter on the Consignation of Author's Graveyard" of the Northern Song dynasty, Li Song's "Puppet Play of a Skeleton" of the Southern Song dynasty, and Chen Rong's "Ink Dragon" of the Southern Song dynasty. Pictured is Yan Liben's "Emperor Taizong Receiving the Tibetan Envoy". This painting documents the Tang emperor Taizong's reception of the envoy Lu Tongtsan, who came to ask for Princess Wencheng's hand in marriage on behalf of Songtsan Gambo, King of Tubo in Tibet, in 641. As a characteristic of Tang figure paintings, the positioning and size of the figures are keys to understanding the status of individual characters.
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The second batch of exhibits of "The Pride of China: Masterpieces of Chinese Painting and Calligraphy of the Jin, Tang, Song and Yuan Dynasties from the Palace Museum" will be put on display at the Hong Kong Museum of Art from next Monday (July 23) to August 11. Sixteen exhibits on display include Qiu Ying's "Copy after Along the River During the Qingming Festival" of the Ming dynasty, Wang Xun's "Letter to Boyuan" of the Jin dynasty, Yan Liben's "Emperor Taizong Receiving the Tibetan Envoy" of the Tang dynasty, Su Shi's "Letter on the Consignation of Author's Graveyard" of the Northern Song dynasty, Li Song's "Puppet Play of a Skeleton" of the Southern Song dynasty, and Chen Rong's "Ink Dragon" of the Southern Song dynasty. Pictured is Yan Liben's "Emperor Taizong Receiving the Tibetan Envoy". This painting documents the Tang emperor Taizong's reception of the envoy Lu Tongtsan, who came to ask for Princess Wencheng's hand in marriage on behalf of Songtsan Gambo, King of Tubo in Tibet, in 641. As a characteristic of Tang figure paintings, the positioning and size of the figures are keys to understanding the status of individual characters. ¡u°ê¤§­«Ä_ ¢w ¬G®c³Õª«°|Âîʭ𧺤¸®Ñµe®i¡v²Ä¤G´Á®i«~±N¥Ñ¤U¬P´Á¤@¡]¤C¤ë¤G¤Q¤T¤é¡^°_¦Ü¤K¤ë¤Q¤@¦b­»´äÃÀ³NÀ]¤½¶}®i¥X¡C¬O¦¸®i¥Xªº¤Q¤»¥ó®Ñµe¦WÂÝ¥]¬A©ú¥N¤³­^¡mÁ{²M©ú¤Wªe¹Ï¨÷¡n¡B®Ê¥N¤ýÒ±¡m§B»·©«¨÷¡n¡B­ð¥NÀF¥ß¥»¡m¨B½û¹Ï¨÷¡n¡B¥_§ºÄ¬¸ý¡mªv¥­©«¨÷¡n¡B«n§º§õ·C¡m¾uŤÛÀ¸¹Ï­¶¡n¤Î«n§º³¯®e¡m¾¥Às¹Ï¨÷¡nµ¥¡C¹Ï¥ÜÀF¥ß¥»ªº¡m¨B½û¹Ï¨÷¡n¡C¦¹¹Ï¬O´yø­ð¤Ó©v§õ¥@¥Á©ó­sÆ[¤Q¤­¦~¡A±µ¨£¨Ó¨ìªø¦wªï°ù¤å¦¨¤½¥Dªº¦R¿»¯S¨Ï¸SªFÃÙªº¬ö¹ê±¡´º¡Cµe®a³z¹L¤Hª«ªº¹ï¤ñ¡A¨ãÅé¦Ó¥Í°Ê¦aªí²{¥X¦U¦Ûªº¨­¥÷¡B©Ê®æ¡BÅ髬¤Îºë¯«®ð½è¡C

《十二金钱镖》是民国武侠北派五大家之一白羽所作武侠小说名,共十七卷,原刊于1937年,全书共一百三十多万字。故事主人公俞剑平平生以拳、剑、镖三绝技蜚声江湖,其暗器功夫十二金钱镖尤是武林一绝,因而得一绰号“十二金钱缥”,本书取名亦缘于此。小说在义侠中夹以言情,武林竞技维妙维肖,间有儿女情长,写得不乱不淫,不诞不俗,运筹潇洒自如,一洗武林说部旧俗。

十二金钱镖

目录列表

在线阅读此书:https://www.7sbook.com/ebook/310.html

作者简介

宫白羽(1899—1966),著名武侠小说作家,原名宫万选,改名宫竹心,原籍山东东阿,是活跃在三四十年代的中国武侠小说作家,1928年来到天津,长期在报社、电讯社任职。1938年,宫白羽因在《庸报》连载《十二金钱镖》一举成名。同年他创办正华学校,次年创办正华学校出版部。晚年致力于甲骨文和金文的研究。

宫白羽作品包括:《十二金钱镖》、《武林争雄记》、《偷拳》、《血涤寒光剑》、《联镖记》等。他的武侠小说作品并被称誉为“北派武侠小说五大名家”之一,与“帮会技击派”郑证因、“奇幻仙侠派”还珠楼主、“悲剧侠情派”王度庐、“奇情推理派”朱贞木齐名。

2017年1月1日, 宫白羽的所有文学作品均进入公共版权范围!

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最后修改日期: 2022年4月7日

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